IMPRESSIONS: BLOG ‘PUTNIK
NEMARNIK’ – ‘THE CARELESS TRAVELER’
http://putniknemarnik.blogspot.com/
Short stories by young
author Djordje Petrovic are surprisingly fresh, sharp and precise.
With every story author
gives us a link for a song which goes well with it.
In first story ‘Allegro’ we are confronting minimalism and perfectionism in literary expression. The theme is phantasmagoric contemporary paranoia. The story looks alike a scenario for
short movie. Sentences are short and picturesque, fulfilled with content. Author
says a lot with little words. Reader has to stop and to rethink. The story
offers us mystique and mysteries. Solving them is interesting and gives us a pleasure of reading.
By literary style, Petrovic has the most in common with early Vladimir Pistalo, and minimalism fulfilled
with content reminds us to the great Momcilo Nastasijevic.
In a story ‘The Machine’ the
storyteller and the style are completely different. This storyteller speaks
unfinished sentences in a hurry to fulfill his intention. The style is
persuasive, after phantasmagoric ‘Allegro’ we are easily transported into
the world of science laboratory.
In a story ‘The Fairy-tale' there
is a ring composition and multiply storytellers – the fairy, the drunkard…
‘Never again’ is mix of
pseudo-phantasm and modern motif – living in a world of computer games. Modern
motif is also dominant in a story ‘The Trains’ – while the character is
occupied with work, life is running by.
The only story with love
motif is ‘In the Park’. Adequately, this one is tenderer and more lyrical
than the others.
If author doesn't stop on
this small number of stories and if he continues with writing, in a future we could
have something different, delicious and fresh to read.
Kratke priče mladog autora
Đorđa Petrovića – putnika nemarnika – su iznenađujuće sveže, oštre i precizne.
Uz svaku priču, autor
preporučuje muzičku numeru uz koju se priča čita, uz link.
U priči ‘Allegro’ nailazimo
na minimalizam i perfekcionizam u stilskom izrazu. Reč je o paranoičnoj savremenoj
temi, a tekst ima i karakteristike scenarija za kratak film. Rečenice su kratke
i slikovite, a sadržajno ispunjene. Sa malo reči saopšteno je puno, tako da
čitalac mora da zastane i da se zamisli. Rešavanje misterija i mističnosti koje
priča zadaje je zanimljivo i pruža uživanje u čitanju.
Po stilu, Petrović najviše
zajedničkog ima sa ranim pričama Vladimira Pištala, a po sadržajnom minimalizmu
– sa poetikom Momčila Nastasijevića.
U priči ‘Aparat’ i
pripovedač i stil su sasvim drugačiji. Ovaj pripovedač izražava se nedovršenim
rečenicama, u žurbi da ispuni svoj naum. Stil je ponovo uverljiv – posle
fantazmagorične price ‘Allegro’ lako smo se prebacili u svet naučne
laboratorije.
U priči ‘Bajka’ imamo
prstenastu strukturu i više zanimljivih pripovedača – vilu, pijanca…
‘Nikada više’ je mešavina
pseudofantastike i savremenog motiva – življenja u svetu kompjuterskih igrica.
Savremeni motiv se javlja i u priči ‘Vozovi’ – dok je junak preokupiran poslom,
život juri mimo njega.
Jedina priča sa ljubavnim
motivom je priča ‘U parku’, a u skladu sa tim, ona je poetičnija i nežnija od
ostalih.
Ako se autor ne zaustavi
na ovom malom opusu, i ako se malo više pozabavi naslovima priča, onda bismo
mogli imati nešto sasvim zanimljivo, ukusno i sveže za čitanje.
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